Question:

It really depressed me that he was shaking so much.  Maybe he was nervous like others have said, but I don’t think so.  He’s never shaken like that in all the interviews I’ve seen of him in.  I mean he gets a little figgity, but not shaking like Ali. I did hear he had been drinking because of Sharon’s cancer.  Maybe he’s trying to kick it and the shaking is the symptom of withdrawl?  I would think his family would have noticed this before the show and gave him a muscle relaxer or something. Let’s all hope Ozzy gets better.    http://www.newsfeed.com       The #1 Newsgroup Service in the World! —–= Over 100,000 Newsgroups – Unlimited Fast Downloads – 19 Servers =—–

Response:

Good Concert pics Albert—Thanks for sharing them. << .. ***<< . *.. ~Lady Nady~ . *** << . .. <<**** . * ***<<( : ( :

Response:

P.S.   If any of you fellow Ozzy fans want to see my Ozzy photos that I took during his last tour go to: www.AndrewDorner.com  Long Live Ozzy. It’s just coming on in a bit where I am so I’ll be tuned in! Great Ozzy pics, not bad from your vantage point, what kind of camera did you use?

Thanks.  I used a 35mm Minolta with Zoom Lens.

Response:

I think he was just overly nervous- The last time he was on the show he sang but wouldn`t come out and talk in front of the audience. Sharon told him the next time he is on Jay`s show (tonight) he is going to have to be a talking guest.

Question:

Hi, I have the minolta x300 minolta x370s (similar to the X-7A) and minolta SRT100x I’m sure that you can use *all* universal flash (manual or automatic) with your camera. Remember to set the shutter (in manual manual mode) at the X sync time (1/60sec or lower) to operate properly. If you have original flash (minolta) the "only" difference is that the X-7A set itself the X sync time. – Italy – Hide quoted text — Show quoted text – Could someone please tell me which flash attachment to use with this camera? The flash attachment that was purchased with this has stopped working properly and a new flash needs to be purchased. This is a super camera and I would hate to have to stop using it but I need a flash. Any suggestions will be much appreciated. kathleen

Response:

Any non-dedicated autoflash will work fine.  Look at the Sunpak 383 or Vivitar 283. Mike

– Hide quoted text — Show quoted text – Could someone please tell me which flash attachment to use with this camera? The flash attachment that was purchased with this has stopped working properly and a new flash needs to be purchased. This is a super camera and I would hate to have to stop using it but I need a flash. Any suggestions will be much appreciated. kathleen

Response:

Thank you for your replies. I really appreciate it. – Hide quoted text — Show quoted text – Any non-dedicated autoflash will work fine.  Look at the Sunpak 383 or Vivitar 283. Mike Could someone please tell me which flash attachment to use with this camera? The flash attachment that was purchased with this has stopped working properly and a new flash needs to be purchased. This is a super camera and I would hate to have to stop using it but I need a flash. Any suggestions will be much appreciated. kathleen

Response:

Hello, Could someone please tell me which flash attachment to use with this camera? The flash attachment that was purchased with this has stopped working properly and a new flash needs to be purchased. This is a super camera and I would hate to have to stop using it but I need a flash. Any suggestions will be much appreciated. kathleen

According to the Minolta User Group MUG it is related to the XG. See http://www.35mm.freeserve.co.uk/mug/mug.html "X7" was released from Minolta Japan in March in 1980. It has A mode, that’s all. Basically the camera seems to be close to XG-A which was sold in US market. About more details, like all other old manual focus cameras, there were silver body and black body of X7.  But X7 black had a different finish on that looks.  X7 black had a action grip on a front and acute matte screen in a viewfinder.  X7 silver did not have both them.  X7 black’s price was higher than X7 silver by 5000 yen. [Ryugin HTH, J. D

Question:

Hi Armand, I really appreciate your reply. Lots of good information. I’ve been taking pictures (and occasionally a few nice ones) for many years with mid-range 35mm gear and want to spend more time thinking about and setting up my shots. The main reason I want to get a lightmeter and start using it is to learn more about light. Regards, David. – Hide quoted text — Show quoted text – Hi David, If you need a very accurate, pleasant to use lightmeter, mainly for available light metering: For portraiture: Minolta Autometer IV If flash is an important concern: Minolta Autometer V (much more expensive) For landscapes on the other hand, metering the incident light ( or even the reflected light, but you need accessories then which will allow you a precise metering) will not always be possible if f.e.you take pictures of a far away landscape. For accurate metering, I may recommend a Gossen SPOT-MASTER  II Spotmeter: a delight to use, very complete, excellent viewfinder and an integrated flashmeter. If you can afford, get both, if not, consider the Spotmeter. Here a hint: a 1

Question:

I want to take some photos at night of christmas lights.  I have the standard flash that came with my minolta qtsi, a 70-300mm tele zoom macro super lens and tmax 400 (I can get 100 of course) 35mm film. The problem with my minolta is everyone keeps talking about using bulb setting but I don’t see that on my camera and the manual didn’t seem to speak of it. Any suggestions? Thank you.

Response:

I have a friend with a camera like yours. It seems like I remember that it has no manual controls, but several program modes. Try night scene mode with the flash disabled. You would not want to use the flash when photographing lights – unless you want pictures of the wires & bulbs – your flash will overpower the quality of the lights that you are trying to capture. Hassel — Hassel Weems Photography Plugged In Design Web Sites & Graphic Design www.hasselweems.com 678-614-0717

– Hide quoted text — Show quoted text – I want to take some photos at night of christmas lights.  I have the standard flash that came with my minolta qtsi, a 70-300mm tele zoom macro super lens and tmax 400 (I can get 100 of course) 35mm film. The problem with my minolta is everyone keeps talking about using bulb setting but I don’t see that on my camera and the manual didn’t seem to speak of it. Any suggestions? Thank you.

Response:

Great thanks! Yes when asked if I wanted digital or SLR I said SLR but it had to have a manual setting.  I was not clear enough obviously because the only manual setting it has is turning it on and off and manual focus! HAH HAH Ah well I am on my way to more manual cameras I really need to learn these things.

– Hide quoted text — Show quoted text – I have a friend with a camera like yours. It seems like I remember that it has no manual controls, but several program modes. Try night scene mode with the flash disabled. You would not want to use the flash when photographing lights – unless you want pictures of the wires & bulbs – your flash will overpower the quality of the lights that you are trying to capture. Hassel — Hassel Weems Photography Plugged In Design Web Sites & Graphic Design www.hasselweems.com 678-614-0717 I want to take some photos at night of christmas lights.  I have the standard flash that came with my minolta qtsi, a 70-300mm tele zoom macro super lens and tmax 400 (I can get 100 of course) 35mm film. The problem with my minolta is everyone keeps talking about using bulb setting but I don’t see that on my camera and the manual didn’t seem to speak of it. Any suggestions? Thank you.

Response:

I doubt you will need the bulb setting for Christmas lights. I’m not sure why you want to use the flash – you don’t need light to photograph light – in fact it will wash out the colours at best and destroy the shot at worst.    With 100 speed film about 2/3rds to 1 second at f8 will give you the lights themselves and any close walls they reflect off. If you are shooting people around the lights try to make sure the flash is pointed at the people only. Use a tripod and you will get both the people and the lights – bracket to be safe.    There is an article on night shooting at http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Old site with some pictures still up at http://www.homeusers.prestel.co.uk/magor/tony The Homestead site has been closed due to a vast overbilling, and so funny goings on from Homestead.

– Hide quoted text — Show quoted text – I want to take some photos at night of christmas lights.  I have the standard flash that came with my minolta qtsi, a 70-300mm tele zoom macro super lens and tmax 400 (I can get 100 of course) 35mm film. The problem with my minolta is everyone keeps talking about using bulb setting but I don’t see that on my camera and the manual didn’t seem to speak of it. Any suggestions? Thank you.

Response:

The problem with Christmas lights is that they are tiny points of light. If the display is not crammed with lights, the meter will over expose. I use a full manual camera so the advanced metering on the electronic cameras may do better, but I suspect not. Expect the printer to overexpose to compensate for the large areas of blackness in the image, giving you grey backgrounds on the prints. Tell them not to overexpose. I know you said TMax, but those using color negs should be aware that most Christmas lights use tungsten lamps and the colors are toward the vary warm end.  Use filtering to varying degrees to cool things a bit. Also Color slides are great for this subject! Can’t believe that you’ll need bulb setting unless you want to overexpose the lights themselves to let some of other objects be visible in the scene. Why such a long lens? I used a 24mm, but I was "in" the display. John

– Hide quoted text — Show quoted text – I want to take some photos at night of christmas lights.  I have the standard flash that came with my minolta qtsi, a 70-300mm tele zoom macro super lens and tmax 400 (I can get 100 of course) 35mm film. The problem with my minolta is everyone keeps talking about using bulb setting but I don’t see that on my camera and the manual didn’t seem to speak of it. Any suggestions? Thank you.

Response:

Interesting, interesting.  I’m planning to walk around my neighborhood and take pictures of the outdoor light displays.  This would have to be at night (or at least around sunset); I’ve got my Minolta SRT-200 already, with Gold 1000 film, and I plan to use the exposure f/1.4, 1/30 sec. because it will be handheld. We could have dozens of threads on "manual".  Without starting a thread, my Rolleiflex Automat/MX is called "automatic" because advancing the film cocks the shutter: they don’t have to be both done by hand.  Also, I suppose, roll film as opposed to sheet film.  We’ve come a long way. Dan

Response:

  Starting from a roughly f 8 at 1 second at ISO 100 you could figure on about 1/4 or 1/5th second for ISO 1000. This is slow enough that you would need a monopod at very least – but probably not more than a monopod. Be sure to tell your lab how you took the shots though or they will try to make the prints look like daylight.    You could also open up to f5.6 and get an extra speed on the shutter but it would still be fairly slow. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Old site with some pictures still up at http://www.homeusers.prestel.co.uk/magor/tony The Homestead site has been closed due to a vast overbilling, and so funny goings on from Homestead.

– Hide quoted text — Show quoted text – Interesting, interesting.  I’m planning to walk around my neighborhood and take pictures of the outdoor light displays.  This would have to be at night (or at least around sunset); I’ve got my Minolta SRT-200 already, with Gold 1000 film, and I plan to use the exposure f/1.4, 1/30 sec. because it will be handheld. We could have dozens of threads on "manual".  Without starting a thread, my Rolleiflex Automat/MX is called "automatic" because advancing the film cocks the shutter: they don’t have to be both done by hand.  Also, I suppose, roll film as opposed to sheet film.  We’ve come a long way. Dan

Response:

I want to take some photos at night of christmas lights.

Hi, You might want to read our article on photographing holiday lights.  You can find it at the following URL: <http://www.nyip.com/tips/topic_holidaylights1201.php Happy shooting! Regards, Billy Stone New York Institute of Photography www.nyip.com

Response:

The way I figure, if you use ISO 1000 film your settings would be 1/30 at f/2.8, or reciprocal equivalents. Michael H "My psychiatrist sent me for an MRI because she thinks I have a magnetic personality."  

Response:

Question:

I just inherited a Minolta 7000 from my father and would like to know of a good book about using 35mm camera. Thanks, Harry

Response:

Photography by Barbara London , John Upton is a very good [text]book  on photography covering most of the topics from the basics up to quite advanced ones. Another book you can’t go wrong with is "NG  Photography Field Guide" by Peter K. Burian et al. Why don’t you just enter amazon.com and search for "35mm photography" in the books? — Best, SH (please, remove "nospam" from my address if answering by e-mail)

– Hide quoted text — Show quoted text – I just inherited a Minolta 7000 from my father and would like to know of a good book about using 35mm camera. Thanks, Harry

Response:

I just inherited a Minolta 7000 from my father and would like to know of a good book about using 35mm camera. Thanks, Harry

check out: www.photobookstore.com I have numerous books reviewed, plus there is a "Most Recommended" list! God Bless, Don Allen http://www.DonAllen.net Photos + a large set of photo links including my PHOTO BOOK LIST – NOW WITH BOOK REVIEWS!!!!

Response:

Take a look at what your local library has to offer and grab a handful. Ther eare many books, and you can get something out of almost every one of them.    I also have a suggested book list – but it is only suggestions – no links to Amazon etc, at http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Old site with some pictures still up at http://www.homeusers.prestel.co.uk/magor/tony The Homestead site has been closed due to a vast overbilling, and so funny goings on from Homestead.

– Hide quoted text — Show quoted text – I just inherited a Minolta 7000 from my father and would like to know of a good book about using 35mm camera. Thanks, Harry

Response:

Question:

… : kinda narrowed : down my options to Minolta Stsi and Cannon rebel 2000 and would like to The Cannons use 35mm ammunition.

or, a forged copy would use "cannon"… —

Response:

Don’t forget about the lenses! Both bodies are OK for begginer. Minolta and Canona have great lenses. Which one(s) do you want to use? Check the prices for the same lenses. m.

– Hide quoted text — Show quoted text – Hi I am considering buying an SLR camera  and this would my first SLR camera. I would like to use it when travelling and nature photography. I have kinda narrowed down my options to Minolta Stsi and Cannon rebel 2000 and would like to know the pros and cons of each. Thanks for your input Guru Prasad

Response:

- Hide quoted text — Show quoted text – I am considering buying an SLR camera  and this would my first SLR camera. I would like to use it when travelling and nature photography. I have kinda narrowed down my options to the Minolta STsi and the Canon Rebel 2000 and would like to know the pros and cons of each. The new Maxxum 5 is the Minolta SLR that is in the same price range as the Rebel 2000. The STsi is cheaper and less capable.  Here is a comparison of the Maxxum 5 and Rebel 2000.  As you can see, the 5 trounces the R2k in every way, except the availability of lenses– the Canon system is more complete, if somewhat less cost effective at the low end.                    Maxxum/Dynax 5          Canon Rebel 2000 AF sensors         7 (1#) lighted          7 (1#) AF working range   -1/18                   1/18 Metering systems   14 seg, spot            35 seg, partial M-working range            1/20                    2/20 Exp. Compensation  +-3 in .5               +-2 in .5 Shutter speed              1/4000-30s,B            1/2000-30s,B Auto-Bracketing    yes .3 .5 .7            yes .5 Mirror lock-up             no                      no Multiple exposure  yes                     yes max. X-Sync                1/125s                  1/90s   Hi-speed sync.             1/4000s                 1/2000s Flash sync 2nd curtain     no                      no Flash Exp. Comp.   no                      no Built-in Flash             12 (28mm)               12 (28mm) Viewfinder-info            A,T,F,Ec,AF             A,T,F,Ec,AF,Sh Viewfinder size            90%                     90% Programs           F,P,Sp,Ap,M,5           F,P,Sp,Ap,M,5,Dep DOF preview                yes                     yes Custom functions   14                      no Metal mount                yes                     no Motorspeed                 3 fps                   1.5 fps weight (g)                 335g                    355g Price                      $240                    $250

  Maxxum 5 has eye start automation which is a good feature for sport/fast moving object photograhy. It also has focus tracking feature. DOn’t know about rebel.  Also, with maxxum5 you have wireless flash built into the camera body, while on rebel2000 one has to buy an accessory which adds to the costs.   On canon system, one has IS lenses, if one can afford paying for them. Ramin

Response:

The Cannons use 35mm ammunition.

: Hi : : I am considering buying an SLR camera  and this would my first SLR : camera. I : would like to use it when travelling and nature photography. I have : kinda narrowed : down my options to Minolta Stsi and Cannon rebel 2000 and would like to : know the pros and cons of each. : : Thanks for your input : Guru Prasad : — Joe Arnold’s outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com).

Response:

I am considering buying an SLR camera  and this would my first SLR camera. I would like to use it when travelling and nature photography. I have kinda narrowed down my options to the Minolta STsi and the Canon Rebel 2000 and would like to know the pros and cons of each.

The new Maxxum 5 is the Minolta SLR that is in the same price range as the Rebel 2000. The STsi is cheaper and less capable.  Here is a comparison of the Maxxum 5 and Rebel 2000.  As you can see, the 5 trounces the R2k in every way, except the availability of lenses– the Canon system is more complete, if somewhat less cost effective at the low end.                         Maxxum/Dynax 5          Canon Rebel 2000 AF sensors              7 (1#) lighted          7 (1#) AF working range        -1/18                   1/18 Metering systems        14 seg, spot            35 seg, partial M-working range         1/20                    2/20 Exp. Compensation       +-3 in .5               +-2 in .5 Shutter speed           1/4000-30s,B            1/2000-30s,B Auto-Bracketing         yes .3 .5 .7            yes .5 Mirror lock-up          no                      no Multiple exposure       yes                     yes max. X-Sync             1/125s                  1/90s   Hi-speed sync.          1/4000s                 1/2000s Flash sync 2nd curtain  no                      no Flash Exp. Comp.        no                      no Built-in Flash          12 (28mm)               12 (28mm) Viewfinder-info         A,T,F,Ec,AF             A,T,F,Ec,AF,Sh Viewfinder size         90%                     90% Programs                F,P,Sp,Ap,M,5           F,P,Sp,Ap,M,5,Dep DOF preview             yes                     yes Custom functions        14                      no Metal mount             yes                     no Motorspeed              3 fps                   1.5 fps weight (g)              335g                    355g Price                   $240                    $250

Response:

    I know little of Minolta but I believe the Stsi has been replaced by the Maxxum 5 which is more or less equivalent to the Rebel 2000.    I’d suggest trying each and seeing which one you like better. You don’t state any particular purpose for the camera – for family snaps and vacations either will do fine, and the Stsi would too — just look for a significantly lower price though.    If you are gettting into the photography hobby either of these cameras would be considered a "starter". Both have speed of use limitations. Again either would do but Not the Stsi or any other camera without DOF preview.    There are a couple articles on choosing cameras and lenses, etc, at http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Old site with some pictures still up at http://www.homeusers.prestel.co.uk/magor/tony The Homestead site has been closed due to a vast overbilling, and so funny goings on from Homestead.

– Hide quoted text — Show quoted text – Hi I am considering buying an SLR camera  and this would my first SLR camera. I would like to use it when travelling and nature photography. I have kinda narrowed down my options to Minolta Stsi and Cannon rebel 2000 and would like to know the pros and cons of each. Thanks for your input Guru Prasad

Response:

Hi I am considering buying an SLR camera  and this would my first SLR camera. I would like to use it when travelling and nature photography. I have kinda narrowed down my options to Minolta Stsi and Cannon rebel 2000 and would like to know the pros and cons of each. Thanks for your input Guru Prasad

Response:

Question:

I have seen a BRAUN 35mm camera–model SR 2000–for sale for $150 with a 50mm lens, and for $162 with a 28-70mm lens.  I have not been able to find out if this is the same Braun company that makes household appliances.   Has anyone used one of these cameras, and if so, what would your report be? otherturban

Response:

www.phenixoptics.com chinese greetings. jarkko

Response:

No, Braun cameras are not the same as Braun household products. The Braun cameras are made in China. There are 2 types of mounts- one is Minolta MD mount and one is Pentax PK mount. The 50mm/f1.8 lens is probably same as Seagull type. The 28-70mm is slower aperture but the range is more useful.  If you get the Braun with MD mount, you can use many older type of Minolta MD lens on it. Suggest you get the faster 50mm/1.8 to try out.  If you like it, get Minolta MD mount lens for it. The older MD 28-85mm/f3.5-4.5 is a very good lens. Hung

– Hide quoted text — Show quoted text – I have seen a BRAUN 35mm camera–model SR 2000–for sale for $150 with a 50mm lens, and for $162 with a 28-70mm lens.  I have not been able to find out if this is the same Braun company that makes household appliances.   Has anyone used one of these cameras, and if so, what would your report be? otherturban

Response:

The website you gave shows a "phenix" camera but does not mention a "Braun" camera. otherturban

Response:

The Braun 2000Sr is the same as phenix dc2000. They dont make manual slr:s in germany (other then leica perhaps) If you are still interested , take a close look at the lightmeter. I’ve heard it’s not the best you can get. And only three led’s for over, exact and under exposure. Quality costs. jarkko

– Hide quoted text — Show quoted text -The website you gave shows a "phenix" camera but does not mention a "Braun" camera. otherturban

Response:

I have seen a BRAUN 35mm camera–model SR 2000–for sale for $150 with a 50mm lens, and for $162 with a 28-70mm lens.  I have not been able to find out if this is the same Braun company that makes household appliances.   Has anyone used one of these cameras, and if so, what would your report be?

There are two companies named BRAUN in Germany, and both were/are engaged in the photo business. One of them is the BRAUN company famous for their household appliances. They used to make super-8 mowie cameras, and sold one cartridge cameras many years ago (probably the only 126 format with a rangefinder, it was actually made either by Balda or Dacora, former german camera manufacturers). The BRAUN which sells SLRs now used to make their own cameras in the 50s and 60s. Their Super Paxette series was a serious competition to the Leicas. They also made some SLRs. They stopped manufacturing cameras years ago and now sell imported cameras (mainly p&s) with their trademark. Today’s Braun SLR are made in China. I have heard that the body is worth its price, but it’s better to use a cheapo PK or Minolta MD mount (the camera is available with both) instead of the lens supplied. Even if you use the lens as a paperweight, I think they are still quite cheap. Winfried (from Germany)

Response:

Since I plan to use the camera for light use and mainly to prepare for paintings, getting a cheaper new camera might be wiser for me than getting a better model used camera, as long as the thing will work and I am not throwing my money away. otherturban

Response:

Question:

Can anyone recommend a good web site on photography basics. I got a Minolta Maxxum 5xi. please to sender thanks

Response:

Jacques, I thought these sites were helpful to me. (a newbie also) http://www.decorphoto.com/tips.htm (Photography 101 – Quick and dirty) and this one on Kodak’s web site http://www.kodak.com/US/en/nav/takingPics.shtml The two links off that page are: "Top 10 Techniques" (Cliff notes basics) and "Guide to Better Pictures" (More thorough) I believe I recall some good info on Tamron’s WEB site also here: http://tamron.com/35mm/35mm_tutor/phototip.htm Good Luck. Ken – Hide quoted text — Show quoted text – Can anyone recommend a good web site on photography basics. I got a Minolta Maxxum 5xi. please to sender thanks

Response:

Thanks for those sites Ken! I have bookmarked them for my use as well as my daughter’s who is taking her first HS Photo class beginning next week! She is a chip off the old pentaprism! Regards Doug from Tumwater

Response:

Thanks for those sites Ken! I have bookmarked them for my use as well as my daughter’s who is taking her first HS Photo class beginning next week! She is a chip off the old pentaprism!

Poor girl! ;-) — Best regards, Tony Polson

Response:

f/8 and BE THERE. have fun.

– Hide quoted text — Show quoted text – Can anyone recommend a good web site on photography basics. I got a Minolta Maxxum 5xi. please to sender thanks

Response:

f/8 and BE THERE.

How can you possibly learn to control depth of field if you always use one aperture?  How can you choose a shutter speed to freeze or deliberately blur motion? I suppose you could use a different film speed for every shot and carry around a set of neutral density filters, but why? have fun.

Only if you describe continuing mediocrity as "fun". ;-) — Best regards, Tony Polson

Response:

f/8 and BE THERE. How can you possibly learn to control depth of field if you always use one aperture?  How can you choose a shutter speed to freeze or deliberately blur motion?

Tongue in cheek, Mr. Polson–I was trying to tell the fellow not to panic too much and relax.  Technique will come with practice.  And all those pictures you shoot will be fun. when I get my old photos up on the web–give it five weeks while i get my life together–then you can rip me to pieces.  I might be no better’n Annika, but I’ll have spent less money and had as much if not more fun. Anyway, being there is most of the fun. -Luigi – Hide quoted text — Show quoted text – I suppose you could use a different film speed for every shot and carry around a set of neutral density filters, but why? have fun. Only if you describe continuing mediocrity as "fun". ;-) — Best regards, Tony Polson

Response:

Question:

Right, it’s time to get a new monitor. I take pics with a Contax G2 and then scan the 35mm transparencies with a Minolta Dimage. I need a high quality 17" monitor to view & adjust the colour tiffs in PhotoShop 6 So what make and model would you experts recommend please. Steve – -

Response:

sony monitors are always a good investment.. they do have a 17 incher.. georgio Right, it’s time to get a new monitor. I take pics with a Contax G2 and then scan the 35mm transparencies with a Minolta Dimage. I need a high quality 17" monitor to view & adjust the colour tiffs in PhotoShop 6 So what make and model would you experts recommend please. Steve – -

– Remove the *NOSPAM* part in my email if you reply..

Response:

My friend has a Samsung 900IFT model…19" with a .20 dot pitch (i believe)…..sharp…..SWEET.

– Hide quoted text — Show quoted text – Right, it’s time to get a new monitor. I take pics with a Contax G2 and then scan the 35mm transparencies with a Minolta Dimage. I need a high quality 17" monitor to view & adjust the colour tiffs in PhotoShop 6 So what make and model would you experts recommend please. Steve – -

Response:

Oooh sorry…didn’t notice the 17" part.

– Hide quoted text — Show quoted text – My friend has a Samsung 900IFT model…19" with a .20 dot pitch (i believe)…..sharp…..SWEET. Right, it’s time to get a new monitor. I take pics with a Contax G2 and then scan the 35mm transparencies with a Minolta Dimage. I need a high quality 17" monitor to view & adjust the colour tiffs in PhotoShop 6 So what make and model would you experts recommend please. Steve – -

Response:

dosent really matter, sony’s trinitron flat tubes can also be foundon other manufacturers, like the Viewsonic PF790(19" which i am using), MAG and Samsung ones too…. just watch out for 2 faint grillelines that show up on a flat screen monitor and you will know that the monitor has a sony trinitron tube.. So it dosent matter what brand it is, the tube matters more… and yes, get a flat screen crt if you can… prices are at an all time low Marc

– Hide quoted text — Show quoted text – sony monitors are always a good investment.. they do have a 17 incher.. georgio Right, it’s time to get a new monitor. I take pics with a Contax G2 and then scan the 35mm transparencies with a Minolta Dimage. I need a high quality 17" monitor to view & adjust the colour tiffs in PhotoShop 6 So what make and model would you experts recommend please. Steve – - — Remove the *NOSPAM* part in my email if you reply..

Response:

Right, it’s time to get a new monitor. I take pics with a Contax G2 and then scan the 35mm transparencies with a Minolta Dimage. I need a high quality 17" monitor to view & adjust the colour tiffs in PhotoShop 6

I quite like the Iiyama Vision Masters, personally. Chris.

Response:

I take pics with a Contax G2 and then scan the 35mm transparencies with a Minolta Dimage. I need a high quality 17" monitor to view & adjust the colour tiffs in PhotoShop 6

The top of the line Viewsonic are excellent. I’ve got two. The PF and P series are often available as refurbished models direct from Viewsonic for considerably less than new ones. These are excellent bargains. http://www.atomicmotorspeedway.com

Response:

dosent really matter, sony’s trinitron flat tubes can also be foundon other manufacturers, like the Viewsonic PF790(19" which i am using), MAG and Samsung ones too…. just watch out for 2 faint grillelines that show up on a flat screen monitor and you will know that the monitor has a sony trinitron tube.. So it dosent matter what brand it is, the tube matters more…

I’d have to disagree. The quality of the electronics (even more than the tube) is what determines if the monitor color balance will shift with fluctuations in line voltage, or with the percentage of the screen that’s brightly illuminated. My Sony tubed, CAD grade DEC 21 inch monitor has a real problem with noticeable color shifts on darker images if something else on the screen is brightly illuminated. The color balance changes noticeably depending on which menus are popped up at any given moment in photoshop. It’s hell to keep it calibrated. My pair of Hitachi 21 inch monitors (not Sony tubes) are much more consistent. Once I calibrate them, they stay calibrated for months. Ciao! Joe

Response:

Question:

   You need the BIG envelopes! — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html

– Hide quoted text — Show quoted text – And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM. That’s fine for you but I just packed up my PC (not quite as portable as my 35mm film cartridge), took it down the local chemists and they just laughed at me!   We tried putting it in one of the film envelopes but they don’t appear to be designed for the standard PC size.  Then I realised I’d be without my computer for a while so I gave up. — http://www.wadmag.org.uk http://uk.geocities.com/ukwebring – UK Motorcycle site webring

Response:

You didn’t read the bit about the fact that digitals are outselling film cameras – did you?    You also haven’t been reading any newspapers, or magazines – have you?        You haven’t spoken to anyone at a lab lately to ask how much of their business is printing from digital files – Have you?        You can believe whatever you want to. You can have a good laugh if you like.            But when you take your head out of the sand you will realise that digital is rapidly becoming the medium of choice.               If you think a bunch of rightwing assholes and some equally obnoxious DJs are Radio, then you have never heard radio. It’s gone – believe me it’s, long long gone. Forget the "hitchikers guide" business. Three networks used to put out over 100 hours of drama and comedy a week. Sam Spade, Tarzan, The Shadow, Edgar Bergen and Charlie McCarthy, Jack Benny – anthologies like Dimension X (later X-1) Lux radio theater, etc. Peanut brained pundits and Madonna are just noise pollution.    I didn’t say digital will completely replace film, but it will replace film for all but the dedicated film hobbiest. The next generation will probably have as many film users as currently are making wet plate or gum bichromate pictures.     How many lps have you bought in the last 15 years? Heard any good drama on the Radio lately? Who makes the best electric typewriter? How come Kodachrome 25 has been dumped? Whatever happened to Polaroid? — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html

– Hide quoted text — Show quoted text –   The number of people I see switching from 35mm P&Ss to digital P&Ss. The number of  digital cameras I see in the hands of reporters on the news programs. THe number of people showing off their brand new digicams nearly everywhere I go. I went to a retirement party a couple weeks ago – I was the only one using a film camera. That’s it? Your limited observations is the driver that illustrates film photographers are on the decline? Well, don’t that beat all. Limited observations have now become a hallmark method for making axiomatic statements concerning unpredictable events. Thanks Tony, It’s not my intent to hurt your feelings (not by any means) but I always appreciate a good laugh. Oh well, if I were to say my limited observations, discussions with a number of the Hollywood paparazzi crowed, and camera sales of the local Wallmart, photo stores, and many of the local One Hour developing centers indicated otherwise, that would be a humorous to you, and perhaps rightfully so, even though I could make such a truthful statement. That gets us back to basically saying all that’s being offered by anyone is opinions, not substantiated facts. The crystal ball is still cloudy and nothing has been presented to illustrate otherwise.     Digital cameras now outsell film cameras – not just in dollar value, in actual numbers. And there are those, like me, merely waiting for the right company to make the right digital camera at the right price. My wife may have decided not to wait however. She got to use her sister’s digital P&S a couple days ago.    Digital is not going to go away,  pal. It’s like TV, you can love it, or you can hate it, but it’s here to stay and radio is not comin’ back. I know radio is not coming back, cause it never went away. But besides the obfuscation attempt: Who said digital is going to go away. Thinking back on the posts on this subject a common thinking (as well as my own) has been that digital pictures are here to stay, that has been recognized, but not necessarily because of the use of digital cameras. As I see this issue, your position has been that digital cameras will eventually replace all film cameras (except for the effete photographer) and I don’t share that opinion. Nothing authoritative has been presented to support one theory over another.  So (shrug) who cares? It seems the only ones who care are those who tenaciously want to convince others, with no supporting evidence, that digital cameras are on the worldwide trend of replacing film cameras (when so many digital cameras have been listed on auction sites and the local shops in my area have refused to even list them on their shelves as consignment sales). Hells-bells, I can have all the digital pictures I want even though I don’t, and have no desire to, own a digital camera. If I thought digital cameras (of any brand) would improve, enhance, or greatly assist my picture taking expertise (such as it is) I would have a couple, with or without anyone’s condescending approval. The plain fact of the matter is, there is absolutely nothing preventing me or anyone else from making, procuring, sending, printing, storing, etc.. etc.. digital pictures without the need of a digital camera. I can think of a lot of other ways to throw away money and enjoy an associated fantasy more. If there have been posts that predict the demise of digital pictures as such, I must have missed them. Nick Was it Barnum who said, "there’s a sucker born every minute?" — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html What evidence is there to support your claim that the number of film photographers are on the decline? Remember, film photography is world wide. Nick    I said nothing of the future – I can have a lab print digital files TODAY. You can have it done, anyone can have it done. Digital is here. It is only a fad in the same way that photography is a fad.   In the future digital will improve, as will film. However the number of film photographers is on the decline now and will continue on that path until film is very much a specialty hobby. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance. Sure you can but there are a lot of considerations that you haven’t surfaced and I don’t want to nor will I get into that. Personally, I think this whole debate is fixated only on opinions perhaps supported by wishful thinking and as such they must be recognized as being opinions. As to JR’s post being based upon ignorance, I don’t believe that. I believe he has stated his opinions based upon his experiences, preferences, and how he perceives what the future may be. There is nothing ignorant about that. Nobody knows definitely what the future may be. One may speak pro or con of the  future of photography with convincing authoritative certainty but it’s still crystal ball gazing and a foggy crystal ball at that. Nick Snip

Response:

  Digital is not going to go away,  pal. It’s like TV, you can love it, or you can hate it, but it’s here to stay and radio is not comin’ back.

Ironically, I heard a report yesterday that for the first time in many years more people were listening to the radio here in the UK than were watching television. A small margin, IIRC, but still. And if that’s the case for our TV, which in comparison with most US TV I get to watch, well… — David Littlewood

Response:

The problem is that the installed base of audio CD users is very large and the majority of them will not easily be convinced to change to DVD. With more than 600 CDs I will NEVER change — I’ll hoard old CD players if I have to. Besides, there isn’t any reason to change — CDs are so good that any improvements can only be appreciated by one’s imagination (sort of like $1,000 speaker cables). Not that there aren’t some bad CDs out there but the remasters/reissues are taking care of that . . .

I guess one factor is that those of us who bought into CDs in the early 80s are, by definition, at the point where the high-frequency hearing starts to deteriorate. But on the whole I agree with you, I can’t imagine replacing my hundreds of CDs either. — David Littlewood

Response:

Hi JR, Old technology?  Just like the gasoline engine, jet engine, rockets, cathode ray tubes and computer keyboards?   I see what you mean.  <g — Best regards, Tony Polson

Cheeky Tony, cheeky…….I learned that from my trip to London….<g JR

Response:

  The marketing I see with digital doesn’t seem to be aimed at the make your own prints crowd. Perhaps you are only reading the ads in the photography magazines. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html

– Hide quoted text — Show quoted text – And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance. I never said you couldn’t do the same stuff with limitations.  Yes you can go to the lab and make prints from digital media….But the MARKETING of digital is "Do it without the lab", right?  "Make prints from your computer!", "No more 1 hour labs!".  All that is the marketing to CONSUMERS for the digital format.  PRO digital has its own uses and none of the marketing applies.  But…since digital is MARKETED as being easier and better, I disagree because my mother would have a much harder time making digital prints than using a P&S film camera, or APS for that matter.  If she has to cart any parts of her computer, or media to the lab, what is the advantage over film?    As to CDs replacing lps – Yeah it was a big Japanese conspiracy – right.    Audiophile lps are considered to be at their best for 10 playings, after which the sound is compromised – If you don’t happen to drop the needle on one the first time you put it on the turntable. As I remember audiophile lps retail for 25 to 50 dollars. Every CD I own still sounds like new, and the most expensive of them were about 15 bucks – most less, and frequently a lot less. As to CD’s (not all digital mediums) being inferior to analog mediums…which was my original point.  Sony dropped the ball and cut corners.  They decided that since we cannot hear above 22.05K hertz, then to reproduce that frequency response a digital sample rate of 44.1 thousand samples per second is required.  Which chops off all frequencies above 22.050.  What they didn’t realize is that the frequencies above 22.050 kilohertz have a harmonic effect on frequencies below 22.050 kilohertz.  So what they were doing was eliminating a complete spectrum of audio.  This is why DVD’s are 96K, not 44.1K as CD’s.  This is why audio professionals are trying to make the DVD audio disk a standard.  A musician works hard to make music and it gets chopped and will never sound the way it does in the recording studio because the delivery medium (CD) will never produce the frequency response of the original Analog reecording tape.  Not to mention 16 bit audio vs. 24 bit audio….. Ignorance?  I think not…..this is factual. I am not anti digital, actually the opposite.  I wish digital was here, today, as they hype it.  It isn’t, at least not at affordable prices. Yet.  I am not saying that it isn’t selling or you can’t get goo pics from one.  I am saying that  at this point, film systems are more functional for me in some areas than a digital system.  It WILL change in the future. JR

Response:

This is wildly off-topic, but this discussion implies that Sony (alone) developed the CD format. IIRC, it was actually a joint venture between Sony and Phillips of the Netherlands. Just thought the credit (or brickbats) should go where they are deserved.

I’m glad someone else remembers Philips’ involvement.  I suppose I have a bit of a soft spot since I used to work for them, many years ago… Chris.

Response:

  The number of people I see switching from 35mm P&Ss to digital P&Ss. The number of  digital cameras I see in the hands of reporters on the news programs. THe number of people showing off their brand new digicams nearly everywhere I go. I went to a retirement party a couple weeks ago – I was the only one using a film camera.

That’s it? Your limited observations is the driver that illustrates film photographers are on the decline? Well, don’t that beat all. Limited observations have now become a hallmark method for making axiomatic statements concerning unpredictable events. Thanks Tony, It’s not my intent to hurt your feelings (not by any means) but I always appreciate a good laugh. Oh well, if I were to say my limited observations, discussions with a number of the Hollywood paparazzi crowed, and camera sales of the local Wallmart, photo stores, and many of the local One Hour developing centers indicated otherwise, that would be a humorous to you, and perhaps rightfully so, even though I could make such a truthful statement. That gets us back to basically saying all that’s being offered by anyone is opinions, not substantiated facts. The crystal ball is still cloudy and nothing has been presented to illustrate otherwise.       Digital cameras now outsell film cameras – not just in dollar value, in actual numbers. And there are those, like me, merely waiting for the right company to make the right digital camera at the right price. My wife may have decided not to wait however. She got to use her sister’s digital P&S a couple days ago.    Digital is not going to go away,  pal. It’s like TV, you can love it, or you can hate it, but it’s here to stay and radio is not comin’ back.

I know radio is not coming back, cause it never went away. But besides the obfuscation attempt: Who said digital is going to go away. Thinking back on the posts on this subject a common thinking (as well as my own) has been that digital pictures are here to stay, that has been recognized, but not necessarily because of the use of digital cameras. As I see this issue, your position has been that digital cameras will eventually replace all film cameras (except for the effete photographer) and I don’t share that opinion. Nothing authoritative has been presented to support one theory over another.  So (shrug) who cares? It seems the only ones who care are those who tenaciously want to convince others, with no supporting evidence, that digital cameras are on the worldwide trend of replacing film cameras (when so many digital cameras have been listed on auction sites and the local shops in my area have refused to even list them on their shelves as consignment sales). Hells-bells, I can have all the digital pictures I want even though I don’t, and have no desire to, own a digital camera. If I thought digital cameras (of any brand) would improve, enhance, or greatly assist my picture taking expertise (such as it is) I would have a couple, with or without anyone’s condescending approval. The plain fact of the matter is, there is absolutely nothing preventing me or anyone else from making, procuring, sending, printing, storing, etc.. etc.. digital pictures without the need of a digital camera. I can think of a lot of other ways to throw away money and enjoy an associated fantasy more. If there have been posts that predict the demise of digital pictures as such, I must have missed them. Nick Was it Barnum who said, "there’s a sucker born every minute?" – Hide quoted text — Show quoted text – — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html What evidence is there to support your claim that the number of film photographers are on the decline? Remember, film photography is world wide. Nick    I said nothing of the future – I can have a lab print digital files TODAY. You can have it done, anyone can have it done. Digital is here. It is only a fad in the same way that photography is a fad.   In the future digital will improve, as will film. However the number of film photographers is on the decline now and will continue on that path until film is very much a specialty hobby. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance. Sure you can but there are a lot of considerations that you haven’t surfaced and I don’t want to nor will I get into that. Personally, I think this whole debate is fixated only on opinions perhaps supported by wishful thinking and as such they must be recognized as being opinions. As to JR’s post being based upon ignorance, I don’t believe that. I believe he has stated his opinions based upon his experiences, preferences, and how he perceives what the future may be. There is nothing ignorant about that. Nobody knows definitely what the future may be. One may speak pro or con of the  future of photography with convincing authoritative certainty but it’s still crystal ball gazing and a foggy crystal ball at that. Nick Snip

Response:

This is off topic but DVD audio players would play CDs as well…No need to replace your CD collection and unless you have heard the full spectrum of sound that a CD player wont reproduce and A/B them, you don’t know what you are missing.  CD players sound great compared to what they were initially supposed to replace..Cassette tapes.  They are convenient and durable…just old technology.

Hi JR, Old technology?  Just like the gasoline engine, jet engine, rockets, cathode ray tubes and computer keyboards?   I see what you mean.  <g — Best regards, Tony Polson

Response:

The problem is that the installed base of audio CD users is very large and the majority of them will not easily be convinced to change to DVD. With more than 600 CDs I will NEVER change — I’ll hoard old CD players if I have to. Besides, there isn’t any reason to change — CDs are so good that any improvements can only be appreciated by one’s imagination (sort of like $1,000 speaker cables). Not that there aren’t some bad CDs out there but the remasters/reissues are taking care of that . . .

This is off topic but DVD audio players would play CDs as well…No need to replace your CD collection and unless you have heard the full spectrum of sound that a CD player wont reproduce and A/B them, you don’t know what you are missing.  CD players sound great compared to what they were initially supposed to replace..Cassette tapes.  They are convenient and durable…just old technology. JR

Response:

The problem is that the installed base of audio CD users is very large and the majority of them will not easily be convinced to change to DVD.

With more than 600 CDs I will NEVER change — I’ll hoard old CD players if I have to. Besides, there isn’t any reason to change — CDs are so good that any improvements can only be appreciated by one’s imagination (sort of like $1,000 speaker cables). Not that there aren’t some bad CDs out there but the remasters/reissues are taking care of that . . .

Response:

  The number of people I see switching from 35mm P&Ss to digital P&Ss. The number of  digital cameras I see in the hands of reporters on the news programs. THe number of people showing off their brand new digicams nearly everywhere I go. I went to a retirement party a couple weeks ago – I was the only one using a film camera.     Digital cameras now outsell film cameras – not just in dollar value, in actual numbers. And there are those, like me, merely waiting for the right company to make the right digital camera at the right price. My wife may have decided not to wait however. She got to use her sister’s digital P&S a couple days ago.    Digital is not going to go away,  pal. It’s like TV, you can love it, or you can hate it, but it’s here to stay and radio is not comin’ back. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html

– Hide quoted text — Show quoted text – What evidence is there to support your claim that the number of film photographers are on the decline? Remember, film photography is world wide. Nick    I said nothing of the future – I can have a lab print digital files TODAY. You can have it done, anyone can have it done. Digital is here. It is only a fad in the same way that photography is a fad.   In the future digital will improve, as will film. However the number of film photographers is on the decline now and will continue on that path until film is very much a specialty hobby. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance. Sure you can but there are a lot of considerations that you haven’t surfaced and I don’t want to nor will I get into that. Personally, I think this whole debate is fixated only on opinions perhaps supported by wishful thinking and as such they must be recognized as being opinions. As to JR’s post being based upon ignorance, I don’t believe that. I believe he has stated his opinions based upon his experiences, preferences, and how he perceives what the future may be. There is nothing ignorant about that. Nobody knows definitely what the future may be. One may speak pro or con of the  future of photography with convincing authoritative certainty but it’s still crystal ball gazing and a foggy crystal ball at that. Nick Snip

Response:

As to CD’s (not all digital mediums) being inferior to analog mediums…which was my original point.  Sony dropped the ball and cut corners.  

This is wildly off-topic, but this discussion implies that Sony (alone) developed the CD format. IIRC, it was actually a joint venture between Sony and Phillips of the Netherlands. Just thought the credit (or brickbats) should go where they are deserved. — David Littlewood

Response:

And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.

That’s fine for you but I just packed up my PC (not quite as portable as my 35mm film cartridge), took it down the local chemists and they just laughed at me!   We tried putting it in one of the film envelopes but they don’t appear to be designed for the standard PC size.  Then I realised I’d be without my computer for a while so I gave up. — http://www.wadmag.org.uk http://uk.geocities.com/ukwebring – UK Motorcycle site webring

Response:

- Hide quoted text — Show quoted text – As to CD’s (not all digital mediums) being inferior to analog mediums…which was my original point.  Sony dropped the ball and cut corners.  They decided that since we cannot hear above 22.05K hertz, then to reproduce that frequency response a digital sample rate of 44.1 thousand samples per second is required.  Which chops off all frequencies above 22.050.  What they didn’t realize is that the frequencies above 22.050 kilohertz have a harmonic effect on frequencies below 22.050 kilohertz.  So what they were doing was eliminating a complete spectrum of audio.  This is why DVD’s are 96K, not 44.1K as CD’s.  This is why audio professionals are trying to make the DVD audio disk a standard.  A musician works hard to make music and it gets chopped and will never sound the way it does in the recording studio because the delivery medium (CD) will never produce the frequency response of the original Analog reecording tape.  Not to mention 16 bit audio vs. 24 bit audio….. Ignorance?  I think not…..this is factual.

Hi JR, Yes, it’s factual and it’s also very well put.  Unfortunately Sony, who developed CD audio jointly with Philips of Eindhoven in the Netherlands, had no realistic option but to offer a system that was realistically achievable and reliable using the technology that was available at the time.  This is what placed the 44MHz upper limit on the sampling frequency. Don’t forget that the main advantages over vinyl LP discs were: (1) a massively improved signal to noise ratio, and (2) longevity of the medium. These advantages were both successfully achieved.  Yes, as with other technologies, something better became available before long, just like in photography.  Perhaps a Philips or Sony audio CD is now the equivalent of a 1 megapixel digital camera – outclassed by later technology.   The problem is that the installed base of audio CD users is very large and the majority of them will not easily be convinced to change to DVD. — Best regards, Tony Polson

Response:

And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance.

I never said you couldn’t do the same stuff with limitations.  Yes you can go to the lab and make prints from digital media….But the MARKETING of digital is "Do it without the lab", right?  "Make prints from your computer!", "No more 1 hour labs!".  All that is the marketing to CONSUMERS for the digital format.  PRO digital has its own uses and none of the marketing applies.  But…since digital is MARKETED as being easier and better, I disagree because my mother would have a much harder time making digital prints than using a P&S film camera, or APS for that matter.  If she has to cart any parts of her computer, or media to the lab, what is the advantage over film?      As to CDs replacing lps – Yeah it was a big Japanese conspiracy – right.    Audiophile lps are considered to be at their best for 10 playings, after which the sound is compromised – If you don’t happen to drop the needle on one the first time you put it on the turntable. As I remember audiophile lps retail for 25 to 50 dollars. Every CD I own still sounds like new, and the most expensive of them were about 15 bucks – most less, and frequently a lot less.

As to CD’s (not all digital mediums) being inferior to analog mediums…which was my original point.  Sony dropped the ball and cut corners.  They decided that since we cannot hear above 22.05K hertz, then to reproduce that frequency response a digital sample rate of 44.1 thousand samples per second is required.  Which chops off all frequencies above 22.050.  What they didn’t realize is that the frequencies above 22.050 kilohertz have a harmonic effect on frequencies below 22.050 kilohertz.  So what they were doing was eliminating a complete spectrum of audio.  This is why DVD’s are 96K, not 44.1K as CD’s.  This is why audio professionals are trying to make the DVD audio disk a standard.  A musician works hard to make music and it gets chopped and will never sound the way it does in the recording studio because the delivery medium (CD) will never produce the frequency response of the original Analog reecording tape.  Not to mention 16 bit audio vs. 24 bit audio….. Ignorance?  I think not…..this is factual. I am not anti digital, actually the opposite.  I wish digital was here, today, as they hype it.  It isn’t, at least not at affordable prices. Yet.  I am not saying that it isn’t selling or you can’t get goo pics from one.  I am saying that  at this point, film systems are more functional for me in some areas than a digital system.  It WILL change in the future.   JR

Response:

What evidence is there to support your claim that the number of film photographers are on the decline? Remember, film photography is world wide. Nick – Hide quoted text — Show quoted text –    I said nothing of the future – I can have a lab print digital files TODAY. You can have it done, anyone can have it done. Digital is here. It is only a fad in the same way that photography is a fad.   In the future digital will improve, as will film. However the number of film photographers is on the decline now and will continue on that path until film is very much a specialty hobby. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance. Sure you can but there are a lot of considerations that you haven’t surfaced and I don’t want to nor will I get into that. Personally, I think this whole debate is fixated only on opinions perhaps supported by wishful thinking and as such they must be recognized as being opinions. As to JR’s post being based upon ignorance, I don’t believe that. I believe he has stated his opinions based upon his experiences, preferences, and how he perceives what the future may be. There is nothing ignorant about that. Nobody knows definitely what the future may be. One may speak pro or con of the  future of photography with convincing authoritative certainty but it’s still crystal ball gazing and a foggy crystal ball at that. Nick Snip

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It’s a fad, Tony.  Accept it.  Both digital and talking motion pictures will disappear any time now.

Don’t forget computers and the internet. Soon we’ll all have to go back to being pen pals. EC

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Are talking motion pictures still around? — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html

– Hide quoted text — Show quoted text – It’s a fad, Tony.  Accept it.  Both digital and talking motion pictures will disappear any time now. Mike    I said nothing of the future – I can have a lab print digital files TODAY. You can have it done, anyone can have it done. Digital is here. It is only a fad in the same way that photography is a fad.   In the future digital will improve, as will film. However the number of film photographers is on the decline now and will continue on that path until film is very much a specialty hobby. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance. Sure you can but there are a lot of considerations that you haven’t surfaced and I don’t want to nor will I get into that. Personally, I think this whole debate is fixated only on opinions perhaps supported by wishful thinking and as such they must be recognized as being opinions. As to JR’s post being based upon ignorance, I don’t believe that. I believe he has stated his opinions based upon his experiences, preferences, and how he perceives what the future may be. There is nothing ignorant about that. Nobody knows definitely what the future may be. One may speak pro or con of the  future of photography with convincing authoritative certainty but it’s still crystal ball gazing and a foggy crystal ball at that. Nick Snip

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It’s a fad, Tony.  Accept it.  Both digital and talking motion pictures will disappear any time now.

So will color. Who needs color when the whole world is black and white?

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It’s a fad, Tony.  Accept it.  Both digital and talking motion pictures will disappear any time now. Mike

– Hide quoted text — Show quoted text –    I said nothing of the future – I can have a lab print digital files TODAY. You can have it done, anyone can have it done. Digital is here. It is only a fad in the same way that photography is a fad.   In the future digital will improve, as will film. However the number of film photographers is on the decline now and will continue on that path until film is very much a specialty hobby. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance. Sure you can but there are a lot of considerations that you haven’t surfaced and I don’t want to nor will I get into that. Personally, I think this whole debate is fixated only on opinions perhaps supported by wishful thinking and as such they must be recognized as being opinions. As to JR’s post being based upon ignorance, I don’t believe that. I believe he has stated his opinions based upon his experiences, preferences, and how he perceives what the future may be. There is nothing ignorant about that. Nobody knows definitely what the future may be. One may speak pro or con of the  future of photography with convincing authoritative certainty but it’s still crystal ball gazing and a foggy crystal ball at that. Nick Snip

Response:

   I said nothing of the future – I can have a lab print digital files TODAY. You can have it done, anyone can have it done. Digital is here. It is only a fad in the same way that photography is a fad.   In the future digital will improve, as will film. However the number of film photographers is on the decline now and will continue on that path until film is very much a specialty hobby. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html

– Hide quoted text — Show quoted text – And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance. Sure you can but there are a lot of considerations that you haven’t surfaced and I don’t want to nor will I get into that. Personally, I think this whole debate is fixated only on opinions perhaps supported by wishful thinking and as such they must be recognized as being opinions. As to JR’s post being based upon ignorance, I don’t believe that. I believe he has stated his opinions based upon his experiences, preferences, and how he perceives what the future may be. There is nothing ignorant about that. Nobody knows definitely what the future may be. One may speak pro or con of the  future of photography with convincing authoritative certainty but it’s still crystal ball gazing and a foggy crystal ball at that. Nick Snip

Response:

And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance.

Sure you can but there are a lot of considerations that you haven’t surfaced and I don’t want to nor will I get into that. Personally, I think this whole debate is fixated only on opinions perhaps supported by wishful thinking and as such they must be recognized as being opinions. As to JR’s post being based upon ignorance, I don’t believe that. I believe he has stated his opinions based upon his experiences, preferences, and how he perceives what the future may be. There is nothing ignorant about that. Nobody knows definitely what the future may be. One may speak pro or con of the  future of photography with convincing authoritative certainty but it’s still crystal ball gazing and a foggy crystal ball at that.         Nick – Hide quoted text — Show quoted text -Snip

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And you are still ignoring the truth in order to make your point. I can bring a floppy disc, memory stick, flash card, portable hard disc, or entire bloody computer to my local lab (or electronicly send the files for that matter) and have prints made JUST LIKE WITH FILM.     Your entire argument is based on ignorance.    As to CDs replacing lps – Yeah it was a big Japanese conspiracy – right.    Audiophile lps are considered to be at their best for 10 playings, after which the sound is compromised – If you don’t happen to drop the needle on one the first time you put it on the turntable. As I remember audiophile lps retail for 25 to 50 dollars. Every CD I own still sounds like new, and the most expensive of them were about 15 bucks – most less, and frequently a lot less.      I probably owned 10 sets of Beethovan’s symphonies through the lp era (I won’t count the couple 78 rpm collections I was given as they were not complete. Every one of those sets was eventually tossed out as un-playable. I particularly hated losing records this way, as I rarely could find the same set still in print, and would have to accostom myself to a new and sometimes less interesting interpretation.  I now have two CD sets – both in perfect condition. If I hear another set I like as much I might buy a third. But I won’t be tossing any out. — http://home.nc.rr.com/tspadaro/ The Camera-ist’s Manifesto a Radical approach to photography. Or thrill to sights you’ve never seen before  all that often Chapel Hill artist Tony Spadaro’s Home page http://tspadaro.homestead.com/Home.html

– Hide quoted text — Show quoted text – Boy was I misunderstood.  I NEVER said that the technology wasn’t going to get BETTER than film at some point.  And I would REALLY like to see a 3 year old shoot, download images to a PC from a digital camera, edit and print them. What I was saying was in response to the post of 35mm being a fad.  Which it isn’t.  I beleive that digital is more of a fad because of its consumer uses at this point.  The marketing hype has made the average P&S consumer believe that digital is much better than film.  Which isn’t always the truth and the average users that I know have found this out the hard way.  Most don’t want to download, edit, retouch and print out images.  My fiance’ for example would rather buy a disposable camera than let me buy her an SLR system because she has no desire to learn about photograophy.  She definately doesn’t want to learn photoshop, or the intricacies of making great inkjet prints.  She sees the time and effort that it takes and would rather shoot and develop.  It was also said that I wouldn’y buy digital before 8 years.  Not true.  I almost bought a coolpix 995, but didn’t because of the limitations. I almost bought a D1x, but didn’t because of the limitations and price.  I am seriously considering the new Minolta.  It looks good on paper, but we will see.  I will buy digital when the quality, ease, and performance exceed my F100.  Until then I will shoot film, then scan.  That works for ME, and others may well be using digital today and it may work for them.  Now to a few questions from my original reply.  Yes CD’s are MUCH cheaper to manufacture than LP’s. But the price has increased for consumers. (Retail price)  Artists still receive the same royalty rate (based on wholesale price), even though the record company spends less for manufacturing.  A VERY sore spot in the music industry since the CD.  Sony holds the patent and yes was involved in the music industry via Coliumbia.  If you recall the first acts available on CD were Columbia affiliated acts, and Sony reduced LP manufacturing so LP’s were not easily available.  It is not a coincidence that Sony Music is now the biggest music entity in the world.  They then licensed the technology to others and make money from every player sold as well.  They learned from their mistake with teh Beta VCR.  Which was a better format than VHS in terms of quality, but Sony didn’t licence the technology.  JVC on the other hand licensed nthe VHS technology to everyone and the market was flooded with VHS machines.  SO to wrap it up….Digital is here to stay, will get better, and more affordable.  Yes eventually we will all be using digital.  Right now….for me, more hype than performance.  In 2 years? Things will change. JR

Response:

Boy was I misunderstood.  I NEVER said that the technology wasn’t going to get BETTER than film at some point.  And I would REALLY like to see a 3 year old shoot, download images to a PC from a digital camera, edit and print them. What I was saying was in response to the post of 35mm being a fad.  Which it isn’t.  I beleive that digital is more of a fad because of its consumer uses at this point.  The marketing hype has made the average P&S consumer believe that digital is much better than film.  Which isn’t always the truth and the average users that I know have found this out the hard way.  Most don’t want to download, edit, retouch and print out images.  My fiance’ for example would rather buy a disposable camera than let me buy her an SLR system because she has no desire to learn about photograophy.  She definately doesn’t want to learn photoshop, or the intricacies of making great inkjet prints.  She sees the time and effort that it takes and would rather shoot and develop.  It was also said that I wouldn’y buy digital before 8 years.  Not true.  I almost bought a coolpix 995, but didn’t because of the limitations. I almost bought a D1x, but didn’t because of the limitations and price.  I am seriously considering the new Minolta.  It looks good on paper, but we will see.  I will buy digital when the quality, ease, and performance exceed my F100.  Until then I will shoot film, then scan.  That works for ME, and others may well be using digital today and it may work for them.  Now to a few questions from my original reply.  Yes CD’s are MUCH cheaper to manufacture than LP’s. But the price has increased for consumers. (Retail price)  Artists still receive the same royalty rate (based on wholesale price), even though the record company spends less for manufacturing.  A VERY sore spot in the music industry since the CD.  Sony holds the patent and yes was involved in the music industry via Coliumbia.  If you recall the first acts available on CD were Columbia affiliated acts, and Sony reduced LP manufacturing so LP’s were not easily available.  It is not a coincidence that Sony Music is now the biggest music entity in the world.  They then licensed the technology to others and make money from every player sold as well.  They learned from their mistake with teh Beta VCR.  Which was a better format than VHS in terms of quality, but Sony didn’t licence the technology.  JVC on the other hand licensed nthe VHS technology to everyone and the market was flooded with VHS machines.  SO to wrap it up….Digital is here to stay, will get better, and more affordable.  Yes eventually we will all be using digital.  Right now….for me, more hype than performance.  In 2 years? Things will change. JR

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